Interval-derived synthesis.
Load a scale and the whole instrument responds to it.
Your scale's intervals become the Petal Oscillator's ratios. 3:2 rings like a bell, 16:9 turns metallic.
Set State A, change anything, set State B, and the crossfader runs between them.
Two filters per voice, locked to your scale so the cutoff lands on partials that belong to it.
Drag a node to set its time and level. ENV 1 shapes loudness, ENV 2 goes wherever you point it.
Every interval in your scale is a dot. Click up to eight and they become the ratio slider's steps.
Two lanes, eight steps. Draw a pattern and send it to the ratio, FM, fold, a cutoff or the morph fader.
Fold, bias, and a continuous morph between Buchla, Serge and Lockhart curves.
Noise, space, tone, mix, width. Five sliders, top to bottom.
Folium.
In Early Access for Mac - VST3 and CLAP.